Cinema of Russia

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The Heart of Russia in Cinema【電子書籍】[ Pino Viscusi ]

The Heart of Russia in Cinema【電子書籍】[ Pino Viscusi ]

<p>Pino Viscusi, poet and literate lent to cinema, in this fourth essay presents important iconographic material to testimony of his passion for revisiting literary texts, paintings, and movie classics all seen as authentic expression of and recurrent need for the spirituality of the "Russian Soul", since the time of its evangelism.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
Cinematic Bodies of Eastern Europe and Russia【電子書籍】[ Matilda Mroz ]

Cinematic Bodies of Eastern Europe and Russia【電子書籍】[ Matilda Mroz ]

<p>Bringing together a range of theoretical and critical approaches, this edited collection is the first book to examine representations of the body in Eastern European and Russian cinema after the Second World War. Drawing on the history of the region, as well as Western and Eastern scholarship on the body, the book focuses on three areas: the traumatized body, the body as a site of erotic pleasure, and the relationship between the body and history. Critically dissecting the different ideologic
Historical Dictionary of Russian and Soviet Cinema【電子書籍】[ Peter Rollberg ]

Historical Dictionary of Russian and Soviet Cinema【電子書籍】[ Peter Rollberg ]

<p>Russian and Soviet cinema occupies a unique place in the history of world cinema. Legendary filmmakers such as Sergei Eisenstein, Vsevolod Pudovkin, Dziga Vertov, Andrei Tarkovsky, and Sergei Paradjanov have created oeuvres that are being screened and studied all over the world. The Soviet film industry was different from others because its main criterion of success was not profit, but the ideological and aesthetic effect on the viewer. Another important feature is Soviet cinema’s multination
Ruptures and Continuities in Soviet/Russian CinemaStyles, characters and genres before and after the collapse of the USSR【電子書籍】

Ruptures and Continuities in Soviet/Russian CinemaStyles, characters and genres before and after the collapse of the USSR【電子書籍】

<p>This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers a wide range of films and film-makers and explores their attitudes to genre, character and aesthetic style. The individual chapters demonstrate that, whereas genres shifted and characters developed, stylistic choices remained largely unaffected.</p